Monday, April 25, 2016

(Belated) Winter Wrap-Up Post

I swear I started writing this post a month ago. I just got distracted with life...

Step aside Starks, winter is over!

Oh thank the glorious sun and the subtle tilt of the Earth for spring!

But that also means that we've finished a whole season in 2016. And I've been informed that this means I'm allowed to write a wrap-up post! I'll just list all of the things I read, watched, listened to (in no particular order) and let y'all know what I thought of them.

by Maggie Stiefvater

Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue never sees them--until this year, when a boy emerges from the dark and speaks to her.

His name is Gansey, a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble.

But Blue is drawn to Gansey, in a way she can't entirely explain. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents the privilege around him; Ronan, the fierce soul whose emotions range from anger to despair; and Noah, the taciturn watcher who notices many things but says very little.

For as long as she can remember, Blue has been warned that she will cause her true love to die. She doesn't believe in true love, and never thought this would be a problem. But as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore. 

Kat's Mini Review: Don't ask me why it took me so long to read this book. It just did. But I adored it. I really did like almost everything about this book. It's a contemporary fantasy that concentrates on the characters. I loved Blue and her crazy mixed family. I adored Gansey and his band of boys. I think that there was a good bit of bromance in there and I think that the boys interactions with Blue were just adorable. I will for sure be reading the rest of this series very very soon.

by Alexandra Bracken
passage, n.
i. A brief section of music composed of a series of notes and flourishes.
ii. A journey by water; a voyage.
iii. The transition from one place to another, across space and time.

In one devastating night, violin prodigy Etta Spencer loses everything she knows and loves. Thrust into an unfamiliar world by a stranger with a dangerous agenda, Etta is certain of only one thing: she has traveled not just miles but years from home. And she’s inherited a legacy she knows nothing about from a family whose existence she’s never heard of. Until now.

Nicholas Carter is content with his life at sea, free from the Ironwoods—a powerful family in the colonies—and the servitude he’s known at their hands. But with the arrival of an unusual passenger on his ship comes the insistent pull of the past that he can’t escape and the family that won’t let him go so easily. Now the Ironwoods are searching for a stolen object of untold value, one they believe only Etta, Nicholas’ passenger, can find. In order to protect her, he must ensure she brings it back to them— whether she wants to or not.

Together, Etta and Nicholas embark on a perilous journey across centuries and continents, piecing together clues left behind by the traveler who will do anything to keep the object out of the Ironwoods’ grasp. But as they get closer to the truth of their search, and the deadly game the Ironwoods are play­ing, treacherous forces threaten to sep­arate Etta not only from Nicholas but from her path home . . . forever 

Kat's Mini Review: A fun read. It brought forward the concept of time traveling in a novel way. It introduced intriguing and dynamic characters. It was very Alexandra Bracken in style, which I love. And I also really enjoyed the history that she was able to include through the place and times that the characters went.

Go HERE for my full review

by Yangsze Choo

"One evening, my father asked me if I would like to become a ghost bride..."

Though ruled by British overlords, the Chinese of colonial Malaya still cling to ancient customs. And in the sleepy port town of Malacca, ghosts and superstitions abound.

Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family's only son, who recently died under mysterious circumstances. Rarely practiced, a traditional ghost marriage is used to placate a restless spirit. Such a union would guarantee Li Lan a home for the rest of her days, but at a terrible price.

After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lim's handsome new heir, Tian Bai. Night after night, she is drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities, paper funeral offerings, vengeful spirits and monstrous bureaucracy—including the mysterious Er Lang, a charming but unpredictable guardian spirit. Li Lan must uncover the Lim family's darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever.

Kat's Mini Review: Beautifully written, wonderful worlds, and an intriguing story. This is not a book about just Li Lan or just ghosts or just British rule and the Chinese population in Malaya. It is about ALL of that and more. It's like a very beautiful window into that time and place. How the cultures intertwined to very greatly affect all who lived in the port town of Malacca. And Li Lan is just our conduit into that world.

by Jennifer L. Armentrout 

Samantha is a stranger in her own life. Until the night she disappeared with her best friend, Cassie, everyone said Sam had it all—popularity, wealth, and a dream boyfriend. Sam has resurfaced, but she has no recollection of who she was or what happened to her that night. As she tries to piece together her life from before, she realizes it's one she no longer wants any part of. The old Sam took "mean girl" to a whole new level, and it's clear she and Cassie were more like best enemies. Sam is pretty sure that losing her memories is like winning the lottery. She's getting a second chance at being a better daughter, sister, and friend, and she's falling hard for Carson Ortiz, a boy who has always looked out for her—even if the old Sam treated him like trash. 

But Cassie is still missing, and the facts about what happened to her that night isn't just buried deep inside of Sam's memory—someone else knows, someone who wants to make sure Sam stays quiet. All Sam wants is the truth, and if she can unlock her clouded memories of that fateful night, she can finally move on. But what if not remembering is the only thing keeping Sam alive?

Kat's Mini Review: Jennifer Armentrout doesn't usually write contemporary, but woah she really should! This book was really good. She writes such good characters and intrigue. And I really enjoyed the mystery of it all. I kind of have a soft spot for main characters that lost their memory and must be reminded of who they used to be by well-meaning if misguided friends and family. It's a mystery being pieced back together. And JLA does that mystery really well!

by Sarah Rees Brennan

It's time to choose sides.... 
(I will not include the full blurb because it will include spoilers from the first book)

Kat's Mini Review: Kami Glass and her witty banter is back! I really enjoyed this book. It's an obvious middle book with alot of angst (ahh, the angst of middle books). But I am a fan of that. Some people hate middle books and their transition states, but I thrive on them. And there is a LOT of transitioning in this book. A lot of figuring out where people stand and what the stakes really are for everyone. It's a good book with good characters. 

by Sarah Rees Brennan

Powerful love comes with a price. Who will be the sacrifice?

(I will not include the full blurb because it will include spoilers from the first book)

Kat's Mini Review: I enjoyed this book. I felt like Kami stayed true to herself and that's what I always want for a main character. The break out star for this book was for sure Kami's dad. He was just so clever and strong and smart and kind. He was a good support for his daughter. Of course, I still love all of the friends and ensemble.

by Marie Rutkoski

Winning what you want may cost you everything you love... 

As a general’s daughter in a vast empire that revels in war and enslaves those it conquers, seventeen-year-old Kestrel has two choices: she can join the military or get married. But Kestrel has other intentions. 

One day, she is startled to find a kindred spirit in a young slave up for auction. Arin’s eyes seem to defy everything and everyone. Following her instinct, Kestrel buys him—with unexpected consequences. It’s not long before she has to hide her growing love for Arin. 

But he, too, has a secret, and Kestrel quickly learns that the price she paid for a fellow human is much higher than she ever could have imagined. 

Set in a richly imagined new world, The Winner’s Curse by Marie Rutkoski is a story of deadly games where everything is at stake, and the gamble is whether you will keep your head or lose your heart.

Kat's Mini Review: Ummm, I adore this book. It's awesome! It's based on Roman/Greek history and just exudes so much of that world without actually being that world! It's a great look into war and soldiers and the cost of empires. I loved Kestrel and her strength. I adored Arin and his pride. I thought they were a great pair and really felt for them when they ran into obstacles (like their inability to accept their own feelings. Angst!) I will be reading the rest of this series very soon, so stay tuned for a series review!


First episode date: January 11, 2016
Final episode date: March 8, 2016
Director: Lee So-yeon
Number of episodes: 16
Network: KBS2

The Moorim School isn't focused solely on high academic scores. The school teaches its students virtues including honesty, faith, sacrifice and communication. The teachers and students at the school come from different countries and each have their own stories.

Kat's Mini Review: A show that started with a lot of action, fun, and character. There was friendship, romance, bromance, and a bit of magic. Really loved how each character was introduced and developed through the first half. The second half felt rushed at some points and slow at others. It was a bit of a flat finale, but I think that's because they lost 4 episodes from the end mid-season.

First episode date: January 4, 2016
Final episode date: March 1, 2016
Number of episodes: 16
Director: Lee Yoon-jung
Network: TVN
Genres: Romance Film, Drama

Drama depicts the delicate relationship between female university student Hong Seol (Kim Go-Eun) and her senior Yoo Jung (Park Hae-Jin). Hong-Seol works part-time due to her family's poor background. Yoo Jung is good looking, gets good grades, athletic and has a kind personality, but he has a dark side.

Kat's Mini Review: I really liked the first 90% of this show. It's a quiet drama about character more than anything else. Each character really sticks out and has very distinct character arcs. I loved the three mains. I also loved the two best friends. The sister was okay (a bit over the top in her craziness if you ask me). The ending was...odd. But I don't think that is how I should judge this show. So, I'd still recommend it.

First episode date: February 24, 2016
Final episode date: April 14, 2016
Number of episodes: 16
Network: KBS
Genres: Romance Film, Melodrama, Action Film, Comedy

This story tells of doctors stationed in the fictional war zone of Urk (Uruk), and follows the love story that develops between a surgeon (Kang Mo-yeon) and a special forces officer (Yoo Shi-jin), both elite in their respective fields. The story will track both their personal and professional struggles while exploring issues about the value of life.

Kat's Mini Review: I LOVE THIS SHOW. This show is my everything! Song Joongki and Son Hyegyo have the BEST chemistry. The story was tight, the drama was high, the actors were awesome. The second couple was great too. So much angst and drama and greatness. I love that they prefilmed this whole show. It really does show in the direction, writing, and production. It's just a well thought out show and phenomenal acting by the whole cast.


Unsteady - X Ambassadors
Don't know why Blogger won't let me find the Music video for this song. But HERE's a link to it. Seriously, the MV is powerful. So is the song. And it's so longing and sad. But, while it seems like it could be full of hopelessness, I actually think that there is a decent amount of hope in it. The lyrics are pretty much a cry for help. And if there is a cry for help, it means there's still time to come back from that edge. 
I use this song for the second half of my WiP because my characters are crazy angsty in part 2.

Powerful - Major Lazar (feat Ellie Goudling and Tarrus Riley)
This song is short and epic. And it makes me feel like I am a powerful wizard (or I guess they might be telekinetics in the MV. I dunno, but I love it). It's a melody that sticks with you and Ellie Goulding's voice is pretty perfect for it. Also, I discovered Tarrus Riley from this MV, and I like his voice just as much. It's so gritty and goes along well with her clearer tone.
I use this song to write all of the steamy and/or intense scenes between my two main characters.

Also, apparently all images that show up when you Google "Goodbye Winter" are sadly melting snowmen.

Friday, April 22, 2016

The Reason I Adore the Diversity in K-Drama Moorim School

Moorim School: Saga of the Brave
Network: KBS2
Episodes: 16
Release Date: January 11 - March 8, 2016

Moorim School started airing this winter. It's about a secret university that concentrates on training its students in discipline and martial arts.

Yoon Shi-woo (Lee Hyun-woo) is the leader of the idol group 'Mobius'. His rise in popularity and fame made him become arrogant and prickly in nature, but he has a serious problem: he is suffering painful hearing loss that doctors have not been able to pinpoint or cure.
Wang Chi-ang (Lee Hong-bin) is the son of Wang Hao, the president of China's largest enterprise groups in Shanghai. Spoiled and selfish, he acts like he owns the world, yet hides his own wounds: he is an illegitimate son who was born from a Korean mother.
The boys both end up at the Moorim Institute and are forced to share a room together despite an instant dislike for each other. But Moorim Institute isn't focused solely on high academic scores. The school teaches its students virtues including honesty, faith, sacrifice and communication. The teachers and students come from different countries and each have their own stories. As the boys grow in character and strength, they discover that there is more to both of them than appearances suggest.

So, the reasons I like this show are plentiful. I absolutely adore Lee Hyun Woo (To The Beautiful You & The Technicians). And, because of this show, I really like Seo Ye Ji. The story is also really fun (if not that novel, but that's alright, I don't need everything to be mind blowing). I like the relationships between Shi Woo and Chi Ang (bromance!). As well as the four lead kids as a group. Even the teachers have fun dynamics and add a lot of comedy to the stories. I don't mind the adults and their complicated flashback stories and drama. I even tolerate the villains (oftentimes the villains are the most boring characters in a drama, but I don't absolutely loathe them in Moorim). If I'm being honest, the ending fell flat (I blame this on the fact that 4 episodes were cut from the end mid-production).

However, the main reason I'm writing about Moorim School here is because of its treatment of the international cast. There are people from Africa, Europe, South East Asia, and beyond. Of course, the majority of the cast is still Korean, however, the point is that there is an international cast. And what I kind of adore about what Moorim School does is that it just lets its characters be whatever they are.

To be fair, it uses really awkward English (spoken by former U-KISS member Alexander Lee) to show how international the school is. And they also have the Thai character speak Thai even though everyone else always replies to these two in Korean. But I never get the feeling that these characters are being made into tokens.

With the teachers, there's one from Europe and one from Africa. They both only speak Korean the whole time. The European teacher is an expert at martial arts and just does his thing being a badass as he teaches the kids discipline and skills. He's not fetishized or exotified. He's just a professor who happens to not be Korean in a mostly Korean school. I like that. I think that it feels more integrated than if he were the "English teacher" who could only speak English and is otherwise super separate. And this is in a country where that legitimately exists (e.g. white teachers who come to Korea just to teach English).  However, Moorim School doesn't care about those stereotypes. It just does its thing with its international, diverse cast. And because of that its diversity is easy to watch and not awkward. The not awkwardness of it is the best part. And it's what I'd love all of my entertainment to have when it has diversity.

Listen, Moorim isn't perfect. There is are small things that give me a "hmmm" moment (aforementioned English spoken by Alexander Lee). And they aren't oblivious to the international cast angle, it was legitimately marketed as an international Korean Drama. But at the end of the day, it's kind of refreshing to see the branching out of an industry that's mostly Korean and/or token foreigners.

In the publishing industry right now, we have movements like We Need Diverse Books, DiversifYA, and publishers (Lee & Low) who are doing great things like creating Diversity Baseline Surveys for the first time ever! I love it. However, the sad side-effect are books being written and published because they fill a "diversity" niche.*

But are they really?

When I read a book that is supposed to be diverse and I feel awkward when reading it because the diversity is overblown I don't feel like I need to validate it automatically. Like someone waving something shiny in my face and going, "Look-it what I did!  Isn't it great?!"

Because what they claim is a diamond is actually a rock covered in glitter.

And I'm not going to let that fly.

I don't think a book that has an MC that's "diverse" in only superficial, stereotypical ways is effectively filling a void. I think it's actually ripping that void even wider. We don't just need diverse books, we need authentic diverse books. Books where the diversity feels less exotified and tokenized.

I want the YA book version of Moorim School. And it wouldn't hurt to have some eye-candy cuties like Lee Hyun Woo and Hong Bin.**

*Oh hi, soap box, my name's Kat, I'm going to stand on you now.
**I will note that I don't think we should mirror the diversity trends of other countries. I don't think Moorim is perfect in its diversity. It just made me think and appreciate something that is new and diverse. And that's the point of this post. Soap boxing done.

Wednesday, April 20, 2016

Conferences (#RT16) and Twitter Pitches (#DVPit): My very emotional post after doing both within a week

This is a writing post! So, sorry if you're one of my reader followers. I just need to squeal and dance about life.

First off, last week(end), I went to a conference, Romantic Times Convention (or RT Con). I not only got to meet some of my HERO authors (squeal #1) but I got to meet an awesome group of writers.
Scroll down for book suggestions I have based on the conference

Being a writer is hard, because it feels so solitary. You have your characters to keep you company on a daily basis, but you often wonder if they're only people that you could love (kind of like the saying that a baby is so unattractive only a mother can love it). I wonder this DAILY. And I have a group of critique partners that do give me a lot of boosting. But I am also randomly fierce in my protectiveness over my writing.

So, going to a writing convention kind of forces you to lay your soul bare. Once you've given in to the fact that you're going to put this book out there, you have to pitch it to agents (and potentially editors). This means TELLING an agent about your book (gasp!). Suffice it to say, I almost died inside a dozen times. And then I sucked it up and just did it. I got requests. And I died again (but this time I was a happy ghost. And also squeal #2).

Lessons learned: 

1) Just do it. You can't hold in your work forever if publishing is your end goal.

2) Don't be afraid to ask for advice. I met a lot of great authors who were more than willing to let me pitch practice on them.

3) Accept it if your story isn't for everyone. Some agents loved my pitch, some didn't. It's the fact of a subjective industry and you just have to keep trucking.

4) DO NOT try to fit your whole story into your pitch. Just tell the main gist and the main character. If you go cuh-razy, the agent will just go to their happy place and not follow your thread. I literally pitched my book as a concept instead of a full plot and I got requests. It was epic :)

Do not be Sheldon! Be you! Your awesome author self

Some advice given to me by Agents who requested:

1) Take your time! Do not send the MS right away if it is not squeaky shiny! It's hard not to just flood all of the agents that request, but it's kind of like being considerate that they want your best because you'd want their best if they were your agent. I went to the conference thinking "this is it." But I'll still give it read overs before I hit the send button.

2) Make sure you put in some info about the pitch you told them. A query is great, and it's usually longer than a conference pitch. Make sure that your story is what you pitched. And if your query is grossly different than your pitch...maybe reassess (when I think about it, this advice is something to be given before you pitch at all).

3) Be excited! This is happy times! You got requests! At one point I couldn't stop smiling as I spoke to an agent and I apologized about my face (yes, you're allowed to laugh at me). She said it was fine, that she was happy for me too. (Agents are super nice y'all).

Okay, so now we're onto Twitter Pitch contests.

I did #DVPit this week. The wonderful contest put on through Twitter by the Amazing Beth Phelan.

The gist of it was:

#DVpit is a Twitter event created to showcase pitches about and especially by marginalized voices. This includes (but is not limited to): Native peoples and people of color; people living and/or born/raised in underrepresented cultures and countries; disabled persons; people with illness; people on marginalized ends of the socioeconomic, cultural and/or religious spectrum; people identifying as LGBTQIA+; and more.

Can I just say, it was EPIC!

I love that it was for marginalized voices! Loved all of the #ownvoices out there. I would tell everyone who follows this blog to go to Twitter-->search #DVPit-->read the pitches. Because these books are the ones that will be in your bookstore in a few years, and you get the privilege of having a sneak peek!

This is what I learned:

1) Be simple with your Twitter Pitch. If you were simple with your conference pitch, do that times TEN for twitter. You only have 140 characters!

2) community is everything! Signal boost your favorite pitches. Many participants were paying it forward and it was magical to see. Seriously, I love my writer community!

3) It's full of hope! To see these unagented/unpublished authors right now and to KNOW that their books will be published in due time. It just makes you happy warm inside.

4) Take this opportunity to cultivate new relationships. Tweet at people if you like their pitch. Say thank you when they like yours back. And be respectful ALWAYS of the time put into a huge event like this! (Seriously #DVPit trended nationwide, that's epic).

5) Also, know that agents and editors are still professionals, don't ask them weird personal stuff. And when you query keep it as professional as if it was a cold, slush-pile query. 

Seriously! Everyone who did #DVPit was awesome, and everyone who was at #RT16 was epic. Thank you writing world for possibly the best writing week of my life! Kat. Out. 

Suggested Reading:

Zoraida Cordova's NA is awesome!
Obviously be on the lookout for Labyrinth Lost coming out in September 2016

Tiny Pretty Things is a BIG Beautiful Book! (See what I did there?)

I will always post this cover because it is gorgeous! Cindy Pon is an amazing fantasy writer!
Speaking of, her book WANT, set in a futuristic Taipei will come out July 2017. ADD TO YOUR TBR!
Leigh Bardugo and her books need no introduction. If you haven't read this, rectify that.

I'm going to assume you already read Wrath and the Dawn. The Rose and the Dagger comes out in LESS THAN A WEEK!

Friday, March 25, 2016

Hey! Read this thing I did at another blog! #OwnVoices

Is it shameless self-promotion to write a post about how I blogged somewhere else?



Here's an article I wrote about #OwnVoices for NaNoWriMo. 

Camp NaNo is "write" around the corner (see what I did there? eh?)

Friday, January 22, 2016

Readiculous Blog on YouTube: Battle Bunny by Jon Scieszka & Mac Barnett

I'm newly into book-tubers AKA Book Bloggers who post videos on YouTube. I'm not quite sure if I'll do a full-on video blog. However, I do like to take some sweet videos at author events. Especially when authors are funny, cool, interesting, sweet, etc.

So, I created a new YouTube channel named (drum roll) Readiculous Blog

Feel free to subscribe or even suggest booktubers you think I should follow.

Here are my first videos, a reading of Battle Bunny, a hilarious picture book by Jon Scieszka and Mac Barnett. During their signing at Books of Wonder (one of my fave children's book stores) they decided to read both the original "Birthday Bunny" and updated "Battle Bunny" at the same time. (Trust me, it's hilarious)

The premise is:
Alex has been given a saccharine, sappy, silly-sweet picture book about Birthday Bunny that his grandma found at a garage sale. Alex isn't interested - until he decides to make the book something he'd actually like to read. So he takes out his pencil, sharpens his creativity, and totally transforms the story!
Birthday Bunny becomes Battle Bunny, and the rabbit's innocent journey through the forest morphs into a supersecret mission to unleash an evil plan - a plan that only Alex can stop.
Featuring layered, original artwork that emphasizes Alex's additions, this dynamic exploration of creative storytelling is sure to engage and inspire. 
Battle Bunny Reading Part 1

Battle Bunny Reading Part 2

Wednesday, January 6, 2016

Kat's K-Dramas: Oh My Ghostess

오 나의 귀신님

AKA Oh My Ghost
Genre: Romance, comedy, fantasy, thriller
Episodes: 16
Aired: 2015-Jul-03 - 2015-Aug-22
Network: TVN
Watch it on: DramafeverViki
Na Bong-Sun (Park Bo-Young) works as an assistant chef. Because of her timid personality and low self-esteem, she doesn't have any friends. Since she was a child, she has been able to ghosts because of her shaman grandmother. One day, she becomes possessed by seductress ghost Shin Soon-Ae.
Kang Sun-Woo (Cho Jung-Seok) is a star chef. Na Bong-Sun has a secret crush on him. He is good looking and confident as a chef. Even though he is popular with women, he has yet to get over his ex-girlfriend. He begins to notice Na Bong-Sun after her sudden change.
Main Character(s): There were really two main characters (sometimes sharing the same body!)
Na Bong-Sun and Shin Soon-Ae. So, here's the down low on these girl(s). Na Bong-Sun is a timid girl who wants to be a chef. She's always had the ability to see ghosts, so she's very jumpy and introverted because of it. She kind of comes off as a bit of a cry-baby at first, but I think she deserves forgiveness because she is haunted like 24/7 by ghosts. She also has a secret crush on Kang Sun-Woo (who everyone calls "Chef").

Shin Soon-Ae is a ghost (played by Kim Seul-Gi when she's in ghost form). She died almost three years ago and she needs to move on before she becomes an evil spirit. She believes the reason she's stuck is because she died a virgin. If she can only seduce a man (by using the bodies of unassuming women) then she can pass to the afterlife. She finds Na Bong-Sun, who's frequency exactly matches Shin Soon-Ae. That means that Soon-Ae gets stuck in Bong-Sun. And hilarity ensues!

I love love love Park Bo-Young. She plays both the timid Bong-Sun and the saucy Soon-Ae perfectly. They are two very distinct characters and she's just the best at being both. She also is adorable and all of her other roles are just as wonderful. I cannot say how much I love her.

OMG, she's just so adorable and hilarious

Love Interest: Kang Sun-Woo AKA "Chef." He's a bit of a jerk. He's cocky and self-centered. He's a famous and celebrated chef and very popular with the ladies. However, he might be that way because he got his heart super broken before. He isn't the nicest to Bong-Sun/Soon-Ae at first because they get in the way. However, this story is just as much about his development as well.

This GIF cracks me up. Bo-Young, Jung-Seok, and Seul-Gi are awesome together.

Allies and Enemies:

Seobinggo - The hilarious Shaman woman who can see Soon-Ae and tries to get her to give up her grudge and move on.

Lee So-Hyeong - Sun-Woo's first love.

Kang Eun-Hee - Sun-Woo's sister and Choi Sung-Jae's wife.

Choi Sung-Jae, Sun-Woo's brother-in-law, a cop, and Soon-Ae's first love! What a small world! He hangs around the restaurant to see Sun-Woo and his wife, Kang Eun-Hee.

Shin Myeong-Ho - Soon-Ae's father, he owns a small restaurant that Soon-Ae used to be the cook for. He drinks too much ever since his daughter died and Soon-Ae, as Bong-Sun, befriends him.

Heo Min-Soo - Hilarious Assistant Chef who kisses up to Sun-Woo and abuses his authority with the other chefs.

Jo Dong-Cheol, Seo Joon, Choi Ji-Woong - the other chefs who make up the whole gang at the restaurant. (Also, I have a crush on Kwak Si-Yang as Seo Joon. I love that Min-Soo gets mad at him for being so hot, hehe)

Random Thoughts:
This show rocks! It was tight plot and pacing the whole way through. Some stories start out great and then get sloppy in the end, but Oh My Ghostess kept the awesome going the whole way. I wonder if it's because the writer's knew the entire plot and never diverged, or if it's because the actors were so great with good chemistry. Probably a mix of both.

Each character got a good and solid backstory and character arc. The chef starts out cocky and selfish and he learns to care when he learns to love (awww, a reformed jerk, I have a soft spot for them, I can't help it). The main girl starts out timid because she grew up able to see ghosts. So, while I usually feel really lukewarm about timid heroines, I thought Bong-Sun had a valid reason for it. And I loved seeing that she developed as a character because of her relationship with the ghost and her ability (she also developed because of her relationship with the chef, but that wasn't the only reason. So I applaud the writers). The ghost's personal story was great. I did not think they were going to give her such a complex and developed story, but it is a huge part of what drove the main conflict/plot. I really liked Kim Seul-Gi in Flower Boy Next Door. She was so quirky and weird in that. And I thought she brought a lot of that great energy to her role as the wayward ghost Shin Soon-Ae.

The love story was actually really well developed and sweet. Who would have thought that a love story that started out as a ghost trying to score with the main guy by using the main girl's body would turn into something so sweet. But it did (trust me).

OMG, look at this chemistry! <3

Love the side characters. The assistant chefs were great comedic energy, and I love how they struggled with the hierarchy of the restaurant (both because of age, title, and romantic entanglements). I feel like Min Seo had his own mini-character arc. I started out really annoyed by him, but I kind of found him adorably flawed by the end.

Didn't love Chef's younger sister, Kang Eun-Hee, but she was a character who played her part well. I think that the mother was a fascinating side character. And I loved her relationship with the shaman. The fact that she treated the shaman like her boyfriend was hilarious, constantly texting her and asking her to go out for food and drinks. The shaman herself was a great character too. She was a good mini-adversary for the ghost, but she wasn't a bad guy. She was just someone who wanted something the ghost didn't (at first).

Overall, I loved this drama. It won my Best Drama of 2015 Award in my end-of-the-year post. And I think it really is a great watch for people whether they're fans of Korean Dramas or not.

Oh My Ghostess Jjang!

Monday, January 4, 2016

Monday Musings: The Language of Things

Something my cousin said recently made me really think: 

"They also aren't [constantly] read[ing] about it or follow[ing] people who really talk about it so they don't have the language for the conversation."

This was in reference to talking to people about race and racism. Not just people, but people in places of privilege.* It's easy to talk about racism academically or historically. That's why most people can talk about the civil war and slavery in our country, because it happened. Key word "happened," as in past tense.

What makes us falter is what's going on now. When people are being pushed down by a system, society, or group of people we know it is wrong in our hearts. However, it is infinitely harder to talk about the situation when (often through no fault of your own) you are defined as a member of the more powerful group. It makes it hard to talk about the sensitive subject of prejudice and racism.

However, talking is exactly what needs to be done. How can we fix or change anything if we don't talk about it? And this is something that relates to writing and books in a huge way. Because we get a lot of our information from the books and news we read.  So, the question becomes, why can't people talk about these issues easily? It could be because of a strange feeling of guilt from being part of that privileged class, it could be because of ignorance (just not knowing the facts), it could be because they just don't care (which I deeply hope is not the case).

However, I think one of the main reasons is that they don't know how to talk about it in an informed way without knowing the facts and the language to use. However, they won't know those facts and that language until they talk about it. So it's really a vicious cycle.

You know what can help people learn these things without having to feel foolish or ignorant in front of their friends and peers?


Yes! Books about other cultures, other people, other lives that they don't innately know about. This is why movements like We Need Diverse Books exists. Because we do need diversity out there in book form, so that if someone wants to learn more about things they have resources.

(And I'd also like to note that these books should be vetted for using the proper language, so we're not putting out misinformation out there. There are some "diverse" books out there that were not properly researched. Misrepresentation is worse than no representation).

On a slightly tangential path, I want to talk about books about diversity versus diverse books (I'm using the term "diverse books" here to more specifically define books that are not diversity-issue-driven. That is, of course, not how it is usually used).

I read a tweet by author Varian Johnson:

He makes a great point in saying that a lot of the books he was given about blacks in America were about civil rights or slavery. A lot of the diverse books out there are issue books where the character's race, sexuality, disability, diversity is the main point of the book and character. That's fine, because these are issues we need to be discussing. However, we also should be discussing the everyday experiences of diverse people. As a child, I wanted to see myself in all of my favorite characters and heroes, but I couldn't see it 100% because I wasn't white. That's not to say that these characters don't rock, but there is so much room in the world of storytelling. Some of that space should be given to kick-butt diverse characters and stories as well.

*I want to say that sometimes when I say the word "privilege" people immediately shut down. Almost like I'm cursing or calling them a dirty name. I don't think privilege needs to be thought of as negative when it's mentioned on its own, it's the context that makes it bad. Having privilege doesn't make a person bad, abusing the privilege does. Doing nothing about the fact that you have that privilege and others don't. And especially using that privilege to keep others down.
A white friend asked me why I had to use the label "white privilege" and I said, "because that's a very accurate label. Some people have more de facto advantage in this world and they have that advantage because they are white. White privilege." However, a white person cannot control the color of their skin any more than a black, Latino, or Asian person. So, I hope that people can understand that these labels aren't personal attacks on someone's existence. It's more of an observation on how society exists, and a request that everyone looks at their situation and judges themselves based on how they act within that space.